Friday Pilots Club - Life Support

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Verse 1
It's been four months since you left me
But it's been two minutes since you called
Say I've been acting like the old me
Yeah you've been acting like you'd know

Pre-Chorus
Tell me, tell me what you want from me
Darling, tell me what you need to see

Chorus
Medicate yourself on control
All the while, I'm dying just to let you go
Yeah you keep me down, good lord, just go and cut the cord
I told you, I don't need your life support
No, not anymore

Verse 2
It's been four months since you left me
It's been four months since I moved on
And I could feel a certain way about the things you used to say
But as I said, I've moved on

Pre-Chorus
Tell me, tell me what you want from me
Darling, tell me what you need to see

Chorus
Medicate yourself on control
All the while, I'm dying just to let you go
Yeah you keep me down, good lord, just go and cut the cord
I told you, I don't need your life support
No, not anymore
No, not anymore

Bridge
It's been four months since you left me
It's been forever since I cared

Chorus
Medicate yourself on control
All the while, I'm dying just to let you go
Yeah you keep me down, good lord, just go and cut the cord
I told you, I don't need your life support
No, not anymore
No, not anymore
 
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Biography

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That seemingly pristine way in which certain individuals are able to connect with one another so seamlessly lies at the heart of Friday Pilots Club’s success. As the chief masterminds of fiery new alternative act, singer Caleb Hiltunen and multi-instrumentalist Drew Polovick are a perfect match. It’s the way their talents complement one another — Hiltunen as the unorthodox naturalist; Polovick the classically trained stickler for sonic details — that’s since coalesced into something truly special. In only a matter of years, Friday Pilots Club has emerged from Chicago as one of the hottest new alt-rock acts — a duo creating the sort of no-nonsense multi-dimensional, exploratory alternative music that’s both immediately recognizable and undoubtedly fresh-sounding. “Everything is right on the mark,” Caleb says of their sweet pop-infused sound, influenced as much by early-aughts indie bands as the classic rock touchstones of their youth. It’s all on display with their forthcoming debut EP, six tracks of lustrous alt-rock explosiveness with a gut-punch of character which will be released via Big Machine/John Varvatos Records, including the call-and-response “Looked Better In Gold,” the pummeling “Breaking My Bones,” the infectious pop bounce of “Change For You” and the meditative “Glad To Be Here.” Taken on the whole, the EP showcases the duo’s flair for the dramatic, and, more importantly, a musical chemistry equal-parts crisp and cunning that ties together with Hiltunen’s undeniably soulful vocals – an uncommon and much sought-after mix of sultry, scathing and sweet.