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Momus - Codependency Lyrics | LYRNOW.COM

Momus - Codependency

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Somehow the hand that reached out
And touched me in the night wasn't yours
Just a puffy and bland phantasmagorical hand
I felt no need to shout, no need to act out
And i woke up in a cold sweat just before three
Had to check on my phone to see if you'd messaged me
I don't need to feel important, just necessary
Although my psychotherapist wouldn't agree
I want to help somebody to need me

Codependency
It's a nasty new word for love, you see
Brought from therapy
But fuck therapy
It never made me happy
Like you make me happy
You're important to me
I like to feel necessary
But whosе hand is this hand?

The touch in the darkness was clammy and damp
And i'd been surе i was alone
It seems i wasn't at the seashore, i knew that for sure
Because the sheets on the bed were dry as a bone
So i snapped on the lamp and no-one was there
No skeletal vamp and no skull with lank hair
It was probably just some prank
Pulled off by a cuck or a crank
Some joker working late at the bank
Codependency
Sticks and stones may break my bones
But you can never hurt me
It's horses for courses
I'll get my coat, i'll be here all night
The hand has got me by the throat
I've even stopped believing all the things i say
They're so bland
But whose hand is this helping hand?

And you finally called me at three
To tell me your night was full of policemen
And could i come round
To tape garbage bags over your window
To block out the light and the sound?
As i belted my raincoat, in a sudden flash of lightning
I thought i could see some kind of horrible projection
On my tallboy in the shape of a small boy
Without a face of any kind
And just a horrible hole
Where there should normally be a mind

Codependency
Just another new word
To terrify me
And i'm already so scared
That you're abandoning me
And i don't trust myself
Don't know what's come over me
You're belittling me
But no one else would care for you
The way i care for you
Can't you see?
More than i care for myself
There's nobody else
But whose hands are these?
 
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Biography

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Nicholas “Nick” Currie (born 11 February 1960), more popularly known under the artist name Momus (after the Greek god of mockery), is a Scottish songwriter, author, blogger and former journalist for Wired.
For over thirty years he has been releasing, to marginal commercial and critical success, albums on labels in the United Kingdom, the United States, and Japan.
Momus began by recording post-punk material with ex-members of Josef K in a group called The Happy Family in the early 1980s and was associated with the musicians around Postcard Records (although he never recorded for that label). His debut solo album Circus Maximus (1986, él records) explored biblical themes in dark, almost Gothic acoustic style. His debt to the influence of Gallic pop was clear from a subsequent, sardonically self-referencing cover of Jacques Brel’s “Jacky”.
In 1987, when he lived in London, he signed to Creation Records and began to record the hyper-literate, quirky pop songs for which he is best known. A trio of albums, The Poison Boyfriend, Tender Pervert and Don’t Stop The Night, blended accessible dance-pop with such heavy lyrical themes as paedophilia, necrophilia and adultery. The latter album almost yielded a hit in the UK with “The Hairstyle of the Devil” which peaked at No. 94 in the UK Singles Charts in May 1989, and was a local hit in San Francisco, reaching #32 on a year-end list from SF’s KITS Live 105 radio station. Subsequent albums on Creation included Hippopotamomus, a scatological tribute to Gainsbourg, as Momus continued to push boundaries of acceptability within accessible pop structures.
By 1994, however, when Creation signed Oasis, his music began to seem wildly out of place compared to the newer, more ‘laddish’ and commercial sounds Creation started to produce. He moved to Paris and signed to Cherry Red Records. Since then he has lived in other countries and, while less popular in Britain, has had a reasonable level of commercial success, especially in Japan, where he wrote and produced records for successful singer Kahimi Karie, including the hit single “Good Morning World”, which was originally written as for a cosmetics advert.
He has been sued twice. The first time was from Michelin UK, for the song “Michelin Man”, which compared the mascot to a blow-up doll, on Hippopotamomus (1991).
He was sued by Wendy Carlos for the song “Walter Carlos” (which postulated that the post-sexual reassignment surgery Wendy could travel back in time to marry her pre-surgery self, Walter) on The Little Red Songbook (1998). The case was settled out of court for a fee of $30,000, withdrawal of the song, agreement not to use Carlos' name for any purpose, and payment of damages and attorney’s fees to Carlos. To pay off the debt, Momus wrote 30 songs, one about each person or group who commissioned a song for $1,000, compiling Stars Forever (1999). Patrons included artist Jeff Koons and Japanese musician Cornelius. Stars Forever also features the winners of a karaoke contest started on The Little Red Songbook (1998).
He has continued to regularly release Momus albums.
In the last two decades, Momus has lived in London, Paris, Tokyo, New York and Berlin. He has made Osaka his home since 2010.
In December 1997, he contracted acanthamoeba keratitis in his right eye due to a contact lens mishap sustained whilst on holiday in Greece, causing loss of vision on that side. Although his sight subsequently improved following surgery he has suffered lingering effects from the infection since, causing him to often be photographed in an eyepatch, very dark glasses, or squinting.,