Louis Armstrong - Back O’ Town Blues

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Verse 1
I had a woman
(So what, I had five of ‘em)
Oh stop braggin’, boy
Livin' way back o' town, yes
Yes, she treated me right
Never let me down
But I wasn't satisfied
(Well, what did you do?)
I had to run around
(Oh that’s just like you Pops, just like you)
That’s no Doctor Pugh, that’s my good man Friday

Verse 2
Now she's gone and left me
I'm worried as can be
Yes, I’ve searched this world all over
Wonderin' where she could be
(Hey Pops, why don’t you look up to Basin Street?)
Oh, she don’t work there no more
I must ask her to forgive me
Maybe she'll come back to me
But I doubt it

Verse 3
Now, I’m lonesome an’ blue
An’ I've learned a thing or two
Yes fellas, here's a tip
I'm gonna pass on down to you
(Lay it on ‘em Satchmo, lay it on ‘em)
Shall I tell ‘em everything?
(Tell ‘em everything) okay Pops
Never mistreat your woman
Cause it's gonna bounce right back on you
That ain’t no stage joke either, daddy
 
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Song Description:

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"Back O’ Town Blues" by Louis Armstrong is a melancholic jazz song that tells the story of a man reflecting on a lost love. The lyrics describe how he had a woman who treated him well, but he wasn't satisfied and ended up running around. Now that she's gone, he's filled with worry and regret, wondering where she could be. The song conveys a sense of loneliness and regret, with Armstrong's soulful vocals and emotive trumpet playing adding to the emotional depth of the song. The final verse offers a lesson learned from the experience, advising listeners to never mistreat their partners as it will ultimately come back to haunt them. Overall, "Back O’ Town Blues" is a poignant and introspective track that showcases Armstrong's talent for storytelling and emotional expression.

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Biography

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Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.

The next year, Armstrong formed his own band, playing for notorious gangsters of the era like Al Capone and Dutch Schultz. He began to emerge as a vocalist as well, pioneering what is known today as “scat singing”.

He is probably best known for covering songs that are now considered standards, such as “La Vie En Rose” and “What a Wonderful World”, only two of his nineteen records to hit Top Ten in the Billboard charts. He is recognizable globally due to his gravelly voice, and by the 1960’s, he was regarded as a widely beloved American icon and cultural ambassador for jazz.

Armstrong was also one of the first black public figures to be widely accepted into white society, both on stage and off of it. He played with some of the biggest figures in jazz, both black and white, including Duke Ellington, Bing Crosby and most famously Ella Fitzgerald.

He also starred in over a dozen Hollywood films and hosted his own nationally broadcast radio show.