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Ryan Wright

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Ryan Wright - Every Little Thing I Like

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original text at lyrnow.com/2062549
I wish I never came to Brooklyn
I hate that you stole my ❲?❳
Every time I'm on the highway makes me think of you, ❲?❳
Now I can't watch texts and drive without thinking of your place
I'm walking by our favorite diner
I just wanna punch your face

If you don't want me anymore (want me anymore)
Say that you'll get out New York

I can't get high
Even the good drugs
Make me cry
You were my love
Drunk valentine
You didn't ruin my life, my life (but you fucked up every little thing I like)

Broke down in the ❲?❳
I'm trying to get out of Manhattan
Why'd you make the skyline awful
Like the whole damn apple's rotten now
And I'm in Central Park
I feel so far away from home
You made this fucking city black and I've got nowhere else to go (what)
❲?❳ (kiss your fucking face)
❲?❳ take you too someday
I can't get high
Even the good drugs
Make me cry
You were my love
Drunk valentine
You didn't ruin my life, my life (but you fucked up every little thing I like)

I can't get high (fucked up every little thing I like)
I can't get high (fucked up every little thing I like)
I can't get high (New York City is a ❲?❳)

I can't get high
Even the good drugs
Make me cry
You were my love
Drunk valentine
You didn't ruin my life, my life (but you fucked up every little thing I like)
 
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Virginia-based singer/songwriter/producer Ryan Wright creates songs that don’t make sense on paper — an ethereal voice singing angsty lyrics over confectionary synth-driven hooks. Her lyrics — at times profane, often tongue-in-cheek, occasionally devastating — reveal a searing wit and a sensitive heart. Her arresting voice embodies the kind of teenage heartache that is deeply personal and yet universal and timeless. Her influences range from the classic (The Cars, Roy Orbison, The Smiths) to the current (The Killers, The 1975, Lana Del Ray) to the local musicians she grew up playing with alongside her dad. Her indie dream-pop has been compared to Lorde, Lennon Stella and The Japanese House. Her undeniably relatable lyrics and dreamy production take the mundane — everything from friend drama to being ghosted by boys to dealing with anxiety — and transform it into the sublime. Wright confides, “My songs are essentially my bottled-up emotions all being poured out in a way that makes them sound surreal. I wanted to make these very relatable experiences sound unfamiliar and strange — almost like listening to a soundtrack from an alternate reality.”