Momus - Thierry

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original text at lyrnow.com/2092969
A Thierry Mugler suit ruined my life
And now when I wear this suit, my wife
Laughs at me with a laugh so sour
I have to fly to Corsica to regain my power

And there, the ghost of Mugler waits
Taking the lead in a procession of saints
Backing from Jean-Paul Gaultier
And Yves-Saint Laurent with swishy hair

And even Karl Lagerfeld
Who ruined many lives with a leather belt
We chase shadows down the region lanes
In the dim light where history remains

Echoes softly as the city sleeps
In еach whisper a secret it keeps
Through thе fabric, through the tears
Fashion almost lost in wears
Through the fabric, through the tears
Fashion almost lost in wears
 
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More Momus lyrics

Momus - Oblivion
The end of the world, it's not the end of the world But if it's the end of the world I won't be defending this world A haggard old moll who calls closing time To customers

Momus - Optimism
Don't lose heart, precious friend You'll make it in the end Though the trials may be hard And nothing goes your way You'll come through, always do My precious

Momus - Empty Paris
I am teacher who works on a farm Immunity barcode tattooed on my arm But the children must eat, education can wait I coax up the carrots til quarter to eight And if I don't

Momus - Working From Home
"Life, friends, is boring. We must not say so After all, my mother told me as a boy Ever to confess you’re bored Means you have no inner resources" Working from

Momus - Movement
Once I had freedom to move So I moved through the world With a bag and a girl In a pair of flip flops In a ragged straw hat With no sense of danger A tourist in

Momus - Ten Foot Hut
When this is over I'll learn to ride a horse Maybe take a correspondence course Study Portuguese, maybe Japanese Tap sunshine from the source Me I’d like to be an

Momus - My Corona
Tiny army slithering through the Marne of me Tiny enemy, oh what a horrible war! That’s not fair play, that’s not human decency How can I give my enemy what for? My corona,

Momus - September
Just when you think the war is won It all begins again And when you think you've reached the end It's only the beginning of the end The brilliant days turn to

Momus - Fever Dream
I'm in the underworld But also in my kitchen I'm in the afterlife But also television I've lost Eurydice But as I stand here at her grave Shepherds

Momus - Spring
Who beats the clock? Nobody Who's for the chop? Everybody There are so many words to heed But is there any blood left to bleed? Make this stop

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Biography

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Nicholas “Nick” Currie (born 11 February 1960), more popularly known under the artist name Momus (after the Greek god of mockery), is a Scottish songwriter, author, blogger and former journalist for Wired.
For over thirty years he has been releasing, to marginal commercial and critical success, albums on labels in the United Kingdom, the United States, and Japan.
Momus began by recording post-punk material with ex-members of Josef K in a group called The Happy Family in the early 1980s and was associated with the musicians around Postcard Records (although he never recorded for that label). His debut solo album Circus Maximus (1986, él records) explored biblical themes in dark, almost Gothic acoustic style. His debt to the influence of Gallic pop was clear from a subsequent, sardonically self-referencing cover of Jacques Brel’s “Jacky”.
In 1987, when he lived in London, he signed to Creation Records and began to record the hyper-literate, quirky pop songs for which he is best known. A trio of albums, The Poison Boyfriend, Tender Pervert and Don’t Stop The Night, blended accessible dance-pop with such heavy lyrical themes as paedophilia, necrophilia and adultery. The latter album almost yielded a hit in the UK with “The Hairstyle of the Devil” which peaked at No. 94 in the UK Singles Charts in May 1989, and was a local hit in San Francisco, reaching #32 on a year-end list from SF’s KITS Live 105 radio station. Subsequent albums on Creation included Hippopotamomus, a scatological tribute to Gainsbourg, as Momus continued to push boundaries of acceptability within accessible pop structures.
By 1994, however, when Creation signed Oasis, his music began to seem wildly out of place compared to the newer, more ‘laddish’ and commercial sounds Creation started to produce. He moved to Paris and signed to Cherry Red Records. Since then he has lived in other countries and, while less popular in Britain, has had a reasonable level of commercial success, especially in Japan, where he wrote and produced records for successful singer Kahimi Karie, including the hit single “Good Morning World”, which was originally written as for a cosmetics advert.
He has been sued twice. The first time was from Michelin UK, for the song “Michelin Man”, which compared the mascot to a blow-up doll, on Hippopotamomus (1991).
He was sued by Wendy Carlos for the song “Walter Carlos” (which postulated that the post-sexual reassignment surgery Wendy could travel back in time to marry her pre-surgery self, Walter) on The Little Red Songbook (1998). The case was settled out of court for a fee of $30,000, withdrawal of the song, agreement not to use Carlos' name for any purpose, and payment of damages and attorney’s fees to Carlos. To pay off the debt, Momus wrote 30 songs, one about each person or group who commissioned a song for $1,000, compiling Stars Forever (1999). Patrons included artist Jeff Koons and Japanese musician Cornelius. Stars Forever also features the winners of a karaoke contest started on The Little Red Songbook (1998).
He has continued to regularly release Momus albums.
In the last two decades, Momus has lived in London, Paris, Tokyo, New York and Berlin. He has made Osaka his home since 2010.
In December 1997, he contracted acanthamoeba keratitis in his right eye due to a contact lens mishap sustained whilst on holiday in Greece, causing loss of vision on that side. Although his sight subsequently improved following surgery he has suffered lingering effects from the infection since, causing him to often be photographed in an eyepatch, very dark glasses, or squinting.,