Rage Against the Machine - Freedom

Copied!edit Lyrics
original text at lyrnow.com/414310
Intro
Uh
Pump, pump, woo!
Come on
Uh

Verse 1
Solo, I'm a soloist on a solo list
All live, never on a floppy disk
Inka, inka, bottle of ink
Paintings of rebellion drawn up by the thoughts I think

Interlude
Yeah
Come on
The militant poet in once again, check it

Verse 2
It's set up like a deck of cards
They're sendin' us to early graves for all the diamonds
They'll use a pair of clubs to beat the spades
With poetry, I paint the pictures that hit
More like the murals that fit
Don't turn away, get in front of it
Brotha, did ya forget ya name?
Did ya lose it on the wall playin Tic-Tac-Toe?
Yo, check the diagonal, three brothers gone, come on
Doesn't that make it three in a row?

Refrain
(Anger is a gift)
Come on
Uh

Guitar Solo

Bridge
Drop that
Uh
Come on
Yeah
Uh

Verse 3
Brotha, did ya forget ya name?
Did ya lose it on the wall playin' Tic-Tac-Toe?
Yo, check the diagonal, three million gone, come on
'Cause you know they're counting backwards to zero
Environment, the environment exceeding
On the level of our unconsciousness
For example, what does the billboard say?
"Come and play, come and play
Forget about the movement"

Refrain
(Anger is a gift)

Interlude
Yeah
Uh
Aw, bring that shit in
Uh
Hey

Outro
Freedom, yeah
Freedom, yeah right
Freedom, yeah
Freedom, yeah
Freedom, yeah, right
Freedom, yeah
Freedom, yeah, right
 
0

Song Description:

edit soundcloud

SoundCloud:

edit soundcloud

More Rage Against the Machine lyrics

Rage Against the Machine - Township Rebellion
{Verse 1} Rebel, rebel and yell 'Cause our people still dwell in hell Locked in a cell, yes, the structure's a cell Mad is the story I tell How long can we

Rage Against the Machine - Born of a Broken Man
{Verse 1} My fears hunt me down Capturing my memories The frontier of loss They try to escape across the street where Jesus stripped bare And raped the spirit

Rage Against the Machine - Killing In the Name
{intro} Killing in the name of {verse} Some of those that work forces Are the same that burn crosses Some of those that work forces Are the

Rage Against the Machine - Hit the Deck
Hit the deck And watch your step Styles like a notion, it has more depth Much respect To those try They are the victims of homicide Try to hide {?}

Rage Against the Machine - House of Rage
And God spake all these words, saying, I am the Lord thy God, which have brought thee out of the land of Egypt, out of the house of bondage. Thou shalt have no other gods before me. Thou shalt not

Rage Against the Machine - Bulls on Parade [Woodstock 99]
{Intro: Zack de la Rocha} Come with it now! Come with it now! {Verse 1} The microphone explodes, shattering the mold Either drop the hits like de la

Rage Against the Machine - Testify
{Intro} Buenas noches. Vosotros estados {?} {Verse 1} The movie ran through me The glamour subdue me The tabloid untied me I'm

Rage Against the Machine - Guerrilla Radio
{Verse 1} Transmission, third World War, third round A decade of the weapon of sound above ground No shelter if you're looking for shade I lick shots at the brutal

Rage Against the Machine - People of the Sun
{Intro} Oh shit Come on Call that shit up Pump that shit up Yeah {Verse 1} Since fifteen hundred and sixteen, Mayans attacked and

Rage Against the Machine - Calm Like a Bomb
{Intro} Feel the funk blast Feel the funk blast Feel the funk blast Feel the funk blast Feel the funk blast Yo, yo, yo, yo, yo, yo {Verse

YouTube

edit video

Rage Against the Machine

Rage Against the Machine
edit foto

Biography

edit bio
Formed in Los Angeles in 1991, Rage Against the Machine are critically acclaimed for their aggressive, politically charged rhymes. During the 1990s, they found huge success with their politicised image, broad array of influences and punk attitudes. The band represents an important intersection in 90s culture – between the musical expression of urban black rebels (hip-hop, funk) and their white counterpart (metal, punk rock).

Accompanying a musical fusion of punk, hip-hop and metal, the lyricism of frontman Zack de la Rocha provides a fiery critique of corporate America, government oppression, and cultural imperialism. Both de la Rocha and guitarist Tom Morello were born into activist families, influential to shaping the band’s political views and activism. De la Rocha’s father devoted his artistic work to Chicano causes, and Morello was raised by a civil rights activist mother and a Kenyan rebel-turned-diplomat father.

Rage Against the Machine view their music as a vehicle for social activism, and de la Rocha has explained this by saying:

I’m interested in spreading those ideas through art, because music has the power to cross borders, to break military sieges and to establish real dialogue.

Over their career, Rage Against the Machine have championed numerous causes, including death-row inmate Mumia Abu-Jamal’s fight for a new trial, the Zapatista freedom fighters in Mexico, and the treatment of sweatshop workers. The band’s leftist and revolutionary political views are further represented in almost all of their songs, and this politically fuelled commentary is key to their identity. Notable examples of these beliefs are discussed in “Killing in the Name” (addressing racism and police corruption), “Wake Up” (addressing racism in the American government), and “Freedom” (supporting imprisoned American-Indian activist Leonard Peltier).

Rage Against the Machine split up in 2000, with three of the band members joining Soundgarden’s Chris Cornell to form rock supergroup Audioslave. They reunited in 2007, and since then have sporadically performed major live events, but are yet to record any new material. In May 2016, it was revealed that Tom Morello, Brad Wilk and Tim Commerford had united with Chuck D of Public Enemy and B-Real of Cypress Hill to form the supergroup, Prophets of Rage.