Insane Clown Posse - Party at the Top of the Hill
Kickin' it live with a Faygo in our hand
Master T is on the table, not working in the stable
And on his Adidas jacket is the Faygo label
This part of the rhyme is for Jagged Joe (that was my rap name)
Known to the crew as the leader of the show
All my girlie friends chase me down the hall
I don't smoke dope or drink alcohol!
This part of the rhyme is for Kangol Joe (Joey's part)
When I'm on the mike I steal the show
Kangol on my head, Adidas on my feet
Gold around my nеck so that I look like Mr. T
This next part is for Master J (John's Part)
I rock all night 'causе I sleep all day
I'm always drinkin' Faygo and that's a fact
And if you got beef, better change your act
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Insane Clown Posse
Biography
The duo's music often revolves around The Dark Carnival mythology, a complex and intricate narrative universe that serves as the backdrop for their albums. Central to this mythology are the Joker's Cards, a series of albums that tell a cohesive story about life, death, and morality. The first deck of Joker's Cards, spanning from Carnival of Carnage to The Wraith: Shangri-La and Hell's Pit, established Insane Clown Posse as a force to be reckoned with in the underground rap scene.
In addition to their music, Insane Clown Posse is also known for their dedicated fanbase, known as Juggalos. Juggalos often paint their faces in the signature black and white facepaint of Shaggy 2 Dope and Violent J, and gather at concerts and events to celebrate the music and camaraderie of the group.
Throughout their career, Insane Clown Posse has released numerous albums, each adding new layers to The Dark Carnival mythology. From Bang! Pow! Boom to The Marvelous Missing Link: Lost and Found, the duo has continued to push boundaries and challenge perceptions with their music and performances.
As of December 2015, Insane Clown Posse remains a powerful and influential force in the world of horrorcore rap, continuing to inspire and captivate fans with their unique blend of music, storytelling, and theatricality.