Fiona Apple - Your Molecular Structure

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Your molecular structure is really somethin' fine
A first-rate example of functional design
Those cosmic undulations are steady comin' through
Your molecular structure baby, me and you

Your cellular organization is really something choice
Electro-magnetism 'bout to make me lose my voice
Got all my circuits open, my system's readin' "go"
Your cellular organization, baby, stop the show

Your molecular structure is really somethin' swell
A high-frequency modulated Jezebel
Thermodynamically, you're gettin' to me
Your molecular structure baby, ooh wee

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More Fiona Apple lyrics

Fiona Apple - Fetch the Bolt Cutters
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Fiona Apple - Drumset
{Verse 1} The drumset is gone And the rug it was on Is still here screaming at me Why did you take it all away? Why did you take it all away? And the dialing

Fiona Apple - Rack of His
{Verse 1} I gave you pictures and cards on non-holidays And it wasn't because I was bored I followed you from room to room with no attention And it wasn't

Fiona Apple - Under the Table
{Intro} I would beg to disagree But begging disagrees with me I would beg to disagree But begging disagrees with me {Verse 1} I told you I

Fiona Apple - For Her
{Verse 1} Look at how feathered his cocks are See how seamless his frocks are Look at his paper-beating over that rockstar Look at how long she walks and how far

Fiona Apple - Heavy Balloon
{Verse 1} People like us, we play with a heavy balloon We keep it up to keep the devil at bay, but it always falls way too soon People like us, we play with a heavy

Fiona Apple - Cosmonauts
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Fiona Apple - The Whole of the Moon
{Verse 1} I pictured a rainbow You held it in your hands I had flashes But you saw the plan I wandered out in the world for years While you just stayed in your

Fiona Apple - Criminal
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Fiona Apple

A late-1990s overnight sensation, singer-songwriter and pianist Fiona Apple was cast as the antidote to packaged pop divettes like Britney Spears and Christina Aguilera. Considering her angst-ridden lyrics and her propensity to shock interviewers, some critics classed her among such provocateurs as Alanis Morissette and Sinéad O'Connor; others, listening to her jazz-tinged, full-throated, accomplished debut, compared her to Laura Nyro and Nina Simone.

Apple signed to Sony Music and released her debut album, Tidal at age 19. The lead single “Criminal” earned Apple a Grammy and a place in the Top Ten, partially due to its controversial music video.

Apple followed up in 1999 with When The Pawn…, whose full title is a 90-word poem inspired by negative feedback on her debut. Extraordinary Machine followed years after, though it experienced some delays.

The Idler Wheel… arrived after a seven-year period of tension and mystery. Its title, reminiscent of When the Pawn…, is a shortened version of a longer poem.

Eight years after The Idler Wheel…, Apple returned to the music scene with Fetch The Bolt Cutters, which was met with enthusiastic critical acclaim. The album’s title is from a quote from Gillian Anderson’s The Fall.