Taylor Swift - "Slut!" / False God

To Rate
Part I: "Slut!"

Verse
Flamingo-pink, Sunrise Boulevard
Clink, clink, being this young is art
Aqua-marine, moonlit swimming pool
What if all I need is you?

Pre-Chorus
Got lovestruck, went straight to my head
Got lovesick all over my bed
Love to think you'll never forget
Handprints in wet cement
Adorned with smoke on my clothes
Lovelorn and nobody knows
Love thorns all over this rose
I'll pay the price, you won't

Chorus
But if I'm all dressed up, they might as well be looking at us
And if they call me a slut, you know it might be worth it for once
And if I'm gonna be drunk, might as well be drunk in love

Part II: False God

Verse 1
We were crazy to think, crazy to think that this would work
Rеmember how I said I'd die for you?
Wе were stupid to jump in the ocean, separating us
Remember how I'd fly to you?
See Taylor Swift LiveGet tickets as low as $119 Pre-Chorus
And I can't talk to you when you're like this
Staring out the window like I'm not your favorite town
I'm New York city, I'd still do it for you, baby
They all warned us about times like this
They say "The road gets hard, and you get lost
When you're lead by blind faith, blind faith"

Chorus
But we might just get away with it, religion's in your lips
Even if it's a false god, we'd still worship
We might just get away with it, the altar is my hips
Even if it's a false god, we'd still worship this love

Post-Chorus
We'd still worship this love
We'd still worship this love, uh-huh
We'd still worship this love, even if it's a false god
Even if it's a false god

Part III: "Slut!"

Bridge
Half-asleep, taking your time in the tangerine
You're not saying you're in love with me
You're not saying you're in love with me, but you're going to
Half-awake, taking your chance, it's a big mistake
It might blow up in your pretty face
I'm not saying "Do it anyway," but you're going to
Chorus
Oh, oh-oh-oh, and if they call me a slut
You know it might be worth it for once
And if I'm gonna be drunk
Might as well be drunk in love

Post-Chorus
Might as well be drunk in love
Might as well be drunk in love

Part IV: False God / "Slut!"

Chorus
'Cause we might just get away with it, religion's in your lips
Even if it's a false god, we'd still worship
We might just get away with it, the altar is my hips
Even if it's a false god, we'd still worship this love

Post-Chorus
We'd still worship this love
We'd still worship this love
We'd still worship this love, even if they call me a slut
Even if it's a false god, we'd still worship this love
Even if it's a false god, they might as well be looking at us
We'd still worship this love, even if it's a false god

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Taylor Swift

Taylor Alison Swift, born on December 13th, 1989, is an American singer-songwriter and actress who has become one of the defining artists of the 2010s and 2020s. Raised on a Christmas tree farm in Reading, Pennsylvania, Swift moved to Nashville, Tennessee at the age of fourteen to pursue a career in country music. Her talent and dedication caught the attention of Scott Borchetta, who signed her to his then-nonexistent label Big Machine Records after seeing her perform at the Bluebird Cafe in November 2004.

Swift made her debut in June 2006 with the release of “Tim McGraw,” a heartfelt ode to a lover who would be leaving town. This song was the first track from her self-titled debut album, which explored themes of heartbreak and bullying that Swift had experienced in her own life. The album became a massive success, spending 227 weeks on the Billboard 200 and establishing Swift as a rising star in the country music scene.

Following the success of her debut, Swift continued to soar to new heights with her sophomore album, Fearless, released in November 2008. Tracks like “Love Story” and “You Belong With Me” not only solidified her status as a country superstar but also crossed over into the mainstream music scene. Fearless became the most-awarded country album of all time, winning accolades such as the Grammy Award for Album of the Year.

Despite her early success, Swift faced doubts about her songwriting abilities, prompting her to write her third album, Speak Now, entirely on her own. The album was a commercial success, becoming the fastest-selling digital album by a female artist in the U.S. at the time. Swift continued to push boundaries and evolve her sound with each new release, culminating in her transition to pop music with the release of her fifth studio album, 1989, in October 2014.

Throughout her career, Swift has faced challenges and controversies, including a highly-publicized feud with rapper Kanye West and a legal battle with a DJ who groped her. However, she has always remained resilient and true to herself, using her platform to speak out on important issues and advocate for artistic ownership.

In recent years, Swift has continued to push boundaries and explore new musical territories with albums like reputation, Lover, folklore, and evermore. She has received numerous accolades and awards for her work, including multiple Grammy Awards and recognition as the Artist of the Decade by the American Music Awards.

Swift's dedication to her craft and her unwavering commitment to authenticity have solidified her status as one of the most influential and successful musicians of her generation. As she continues to re-record her earlier albums to regain legal ownership, Swift shows no signs of slowing down and remains a force to be reckoned with in the music industry.