Ashnikko - GLIZZY
Yeah, I shot your mom in the dick
I'm an oversized midget, with a bucket of shit
Yeah, I like to pee
I'm that one kid, who hung your dog from a tree
I like women
Don't get me wrong
But there ain't nothing wrong
With a good old-fashioned dick
You can find me outside in a white van
Having sex with a pigeon, man
Yeah, and when I'm done with the pigeon
I let it fly back to the jungle
Cooor
Yeah, and it's easy to see
Ashnikko taking over MTV
★ Verse 2: Joji ★
Joji and Ashnikko
I fuck women a lot
Yeah, I like it
It's nice
Yeah, that's definitely a stroke
Mеdic! Medic!
Shit!
CPR!
I drank bleach at the bar
Now I no longеr can fuck women
Because I sound like a dying dog
Catch me in the Japanese kitchen
Just chillin, frying frogs
Song Description:
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Ashnikko - Relevant
I'm not that famous I won't pop up on CBS My face won't be everywhere like I'm BTS I got tons of fans but not a whole army Haters hate on me all day, where's my
Ashnikko - Worms
{Chorus} The world is burning, I got worms in my brains Gonna bleach my eyebrows, change my name The world is burning and I laugh at the blaze Gonna bleach my eyebrows,
Ashnikko - WEEDKILLER
{Verse 1} - Ashnikko Twiddlin' my thumbs, yeah, I've been patient Lobotomize a bitch, yeah, their eyes vacant There's nowhere to run in the simulation
Ashnikko - Posesssion of a Weapon
{Verse 1} 空の目、泣いている間欠泉 私は私的な欲望を持つことができますか 私の張り子に雨が降らないでください 雨が降らないでください、雨が降らないでください {Chorus} マンコ武器の所持 私の仙骨チャクラの天が脅かされている
Ashnikko - World Eater
{Chorus} 世界を喰らう者 大きな銃、大きなお金、大きな包丁 世界を喰らう者 それは大きな機械です、私たちは彼女に餌を与えます クライイン・リーパー 彼らは楽しみや余暇のために人を殺します 世界を喰らう者 私は不凍液のように甘い
Ashnikko - Halloweenie Medley
{{Halloweenie}} I'm so shy! {Chorus} You've never had a love like me You've never hit a drug like me, fuck like me She'll
Ashnikko - Wild
{Verse 1} Playing on my nerves, like oh my God I don't even love you, what a fuck is this (Oh) How are you so happy when I'm so sad Call me shicky sweets
Ashnikko - Bop It
{Intro} Hm, ah {Verse} So quick to surrender You gave me your heart I might drop it Repeating offender 'Cause I break it, pull it, twist
Ashnikko - Fight Like A Girl
{Chorus} Fight like a girl and I bite like a snake I'ma tilt the world, give 'em all a bellyache They want a medal but they've lost I will never settle if
Ashnikko - Wifey*
Lyrics from snippet Here's a fat check, I need a fat check, {?} Climatic, from the mattress {?} Galactic, moving like bad bricks, {?} Bad
YouTube
Ashnikko
Biography
At the age of thirteen, Ashnikko's parents moved to eastern Europe, where she spent most of her teen years. It was during this time that she began to experiment with music, starting with a diss track about a classmate. Despite facing criticism and bullying for her musical pursuits, Ashnikko remained determined to carve out her own path in the industry.
Upon reaching adulthood, Ashnikko moved to London, where she embraced a wild party lifestyle and continued to develop her unique sound. In 2016, she uploaded her first song, "KROKODIL," to SoundCloud, marking the beginning of her musical career.
Since then, Ashnikko has released two solo EPs, Hi, It's Me and Unlikeable, as well as a collaborative EP, Sass Pancakes, with Raf Riley. Her music, which blends hip-hop with punky electro-pop, is known for its themes of sexuality and female empowerment. Influenced by feminist musicians like M.I.A., Björk, and Nicki Minaj, Ashnikko's bold and unapologetic lyrics have resonated with audiences around the world.
One of Ashnikko's most popular songs, "STUPID," featuring Yung Baby Tate, went viral on the lip-syncing app Tik Tok, propelling her onto the Billboard charts. The success of the song solidified Ashnikko's place in the music industry and further established her as a fierce advocate for women's empowerment.
Despite facing challenges and criticism along the way, Ashnikko remains true to herself and her unique style. In an interview with 1883 Magazine, she emphasized the importance of staying true to oneself and standing up for what you believe in, regardless of the obstacles you may face. Ashnikko's journey from a small town in North Carolina to the bustling music scene in London is a testament to her resilience, talent, and unwavering commitment to her art.