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Momus - My Rose Lyrics | LYRNOW.COM

Momus - My Rose

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My rose has a thorn in the eye of its teeth
I'm rolling down the hill
Rolling in the sun
My rose has a sigh in the side of its eye
Earth is turning and the earth is burning
My rose is falling through the cobwebs of an eye
Everlasting sigh
Oh why, oh why, why do we die?

My body's flying and the cobweb is dying
And weeds crowd the hall
And the geese they are flying
O rose, caught in the spider's web
Sign of impending night
Sign of impending sighs
O rose, why do you droop so
On my window, oh woe
Oh God knows
O rose, oh why
Why do we die?

"Then had we time еnough?
Ten thousand multiplied by
Ninety-ninе thousand
Nine hundred and ninety-nine
All over the world and all over time
Is not endless
The difference between dead and living"
 
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More Momus lyrics

Momus - Murder in the Village
Murder in the village, Sir Roger’s driving in Suspicion points the finger at irascible Miss Pym But she’s a red herring, and so is Mr Pool The handyman and janitor who creeps around

Momus - Fuck This Year
Fuck this year, fuck this pain Things will never be good again Fuck this year with a sawn-off brick Fuck this year, it makes me sick Fuck this year with the sizzle of death

Momus - The Stars are Out
Idolatry isn't what it used to be Not since they miniaturised God, you see Kid's got talent like my bed's got styrofoam I know it's true, I've seen it on my

Momus - Slippery Life
It's a slippery life When even Mr Sherlock Holmes Is outrun by developments And wanders lost at 3am Without his pipe And Watson nowhere to be found Grasping for the

Momus - Perfecto
I threw wine in the face of nothing Torture me or let me be Sold my mind to a higher power Sold my soul to glory Someone locked me in the bathroom Of the dirty mausoleum

Momus - Codependency
Somehow the hand that reached out And touched me in the night wasn't yours Just a puffy and bland phantasmagorical hand I felt no need to shout, no need to act out And i woke

Momus - Becoming You
You promised us a system worth believing in Where we could flourish in the sun A world we could move freely through And raise our children in Where justice raised a sword for

Momus - Staring a Hole
Stop staring a hole Through my disguise This isn't a mask, it's my real face These are my eyes This whole time they've been hiding in plain sight Subject and

Momus - Before the War
It's hardly a utopia With the crackheads and the whores The zombies zonked on fentanyl Sleeping in doors Are these the days Before the war? A mass murderer in the

Momus - Waterspout
Insy winsy man, sputtering away The thoughts in your head The strings on your web And all the other insy men Coming round to play Make a man of string, set fire to him

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Biography

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Nicholas “Nick” Currie (born 11 February 1960), more popularly known under the artist name Momus (after the Greek god of mockery), is a Scottish songwriter, author, blogger and former journalist for Wired.
For over thirty years he has been releasing, to marginal commercial and critical success, albums on labels in the United Kingdom, the United States, and Japan.
Momus began by recording post-punk material with ex-members of Josef K in a group called The Happy Family in the early 1980s and was associated with the musicians around Postcard Records (although he never recorded for that label). His debut solo album Circus Maximus (1986, él records) explored biblical themes in dark, almost Gothic acoustic style. His debt to the influence of Gallic pop was clear from a subsequent, sardonically self-referencing cover of Jacques Brel’s “Jacky”.
In 1987, when he lived in London, he signed to Creation Records and began to record the hyper-literate, quirky pop songs for which he is best known. A trio of albums, The Poison Boyfriend, Tender Pervert and Don’t Stop The Night, blended accessible dance-pop with such heavy lyrical themes as paedophilia, necrophilia and adultery. The latter album almost yielded a hit in the UK with “The Hairstyle of the Devil” which peaked at No. 94 in the UK Singles Charts in May 1989, and was a local hit in San Francisco, reaching #32 on a year-end list from SF’s KITS Live 105 radio station. Subsequent albums on Creation included Hippopotamomus, a scatological tribute to Gainsbourg, as Momus continued to push boundaries of acceptability within accessible pop structures.
By 1994, however, when Creation signed Oasis, his music began to seem wildly out of place compared to the newer, more ‘laddish’ and commercial sounds Creation started to produce. He moved to Paris and signed to Cherry Red Records. Since then he has lived in other countries and, while less popular in Britain, has had a reasonable level of commercial success, especially in Japan, where he wrote and produced records for successful singer Kahimi Karie, including the hit single “Good Morning World”, which was originally written as for a cosmetics advert.
He has been sued twice. The first time was from Michelin UK, for the song “Michelin Man”, which compared the mascot to a blow-up doll, on Hippopotamomus (1991).
He was sued by Wendy Carlos for the song “Walter Carlos” (which postulated that the post-sexual reassignment surgery Wendy could travel back in time to marry her pre-surgery self, Walter) on The Little Red Songbook (1998). The case was settled out of court for a fee of $30,000, withdrawal of the song, agreement not to use Carlos' name for any purpose, and payment of damages and attorney’s fees to Carlos. To pay off the debt, Momus wrote 30 songs, one about each person or group who commissioned a song for $1,000, compiling Stars Forever (1999). Patrons included artist Jeff Koons and Japanese musician Cornelius. Stars Forever also features the winners of a karaoke contest started on The Little Red Songbook (1998).
He has continued to regularly release Momus albums.
In the last two decades, Momus has lived in London, Paris, Tokyo, New York and Berlin. He has made Osaka his home since 2010.
In December 1997, he contracted acanthamoeba keratitis in his right eye due to a contact lens mishap sustained whilst on holiday in Greece, causing loss of vision on that side. Although his sight subsequently improved following surgery he has suffered lingering effects from the infection since, causing him to often be photographed in an eyepatch, very dark glasses, or squinting.,