Ryan Wright - Cydney

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She feeds you LSD
When you're not with me
Should I be worried
About Cydney
Damn it's such a drag
Why'd it hurt so bad
Seeing you like that
With Cydney

You lied about your little mental isolation and you're
Saying it's too hard to keep up with conversations but I
I know she's on your mind
You're only killing my time

Oh, ain't it fun, such a blast
Getting blackout drunk and
Running my mouth behind your back
No one hates you like I do
You think you're so fucking cool

Kept me on the side
Secret valentine
Ruin my whole life
And I let you
Keep me in the dark
Break my fucking heart
Tear it all apart (And I let you)
Oh, ain't it fun, such a blast
Getting blackout drunk and
Running my mouth behind your back
No one hates you like I do
You think you're so fucking cool

You lied about your little mental isolation and you're
Saying it's too hard to keep up with conversations but I
I know she's on your mind
You're only killing my time
I know she's there at night
She's turning out your light, isn't she

Oh, ain't it fun, such a blast
Getting blackout drunk and
Running my mouth behind your back
No one hates you like I do
Wish you were so fucking cool
No one hurts me like you do
So why am I still missing you
 
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Biography

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Virginia-based singer/songwriter/producer Ryan Wright creates songs that don’t make sense on paper — an ethereal voice singing angsty lyrics over confectionary synth-driven hooks. Her lyrics — at times profane, often tongue-in-cheek, occasionally devastating — reveal a searing wit and a sensitive heart. Her arresting voice embodies the kind of teenage heartache that is deeply personal and yet universal and timeless. Her influences range from the classic (The Cars, Roy Orbison, The Smiths) to the current (The Killers, The 1975, Lana Del Ray) to the local musicians she grew up playing with alongside her dad. Her indie dream-pop has been compared to Lorde, Lennon Stella and The Japanese House. Her undeniably relatable lyrics and dreamy production take the mundane — everything from friend drama to being ghosted by boys to dealing with anxiety — and transform it into the sublime. Wright confides, “My songs are essentially my bottled-up emotions all being poured out in a way that makes them sound surreal. I wanted to make these very relatable experiences sound unfamiliar and strange — almost like listening to a soundtrack from an alternate reality.”