American Aquarium - Me + Mine

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original text at lyrnow.com/135585
Me and mine have worked this land
As long as my grandfather can remember
Plowin' soil, diggin' holes
Haulin' coal, to strippin' down the timber
Then they showed up, they shut us down
Same old story, the same old town

"It's like we don't matter", momma said
"At least that's how it seems"
And that's the day I woke up
From the American dream

What are you supposed to do
When the God you're prayin' to
Up and goes missin'?
Leaves a trail of unpaid bills
Broken homes and opioid addiction
And then a politician shows up
Promisin' that
He'll return the jobs
That God himself could not bring back

Fool me once, shame on you
Fool me twice, shame on me
Yeah, that's the day I gave up
On the American dream

These lamentations
Are gettin' too damn hard to sing
These lamentations
Are gonna be the death of me

You see, me and mine, we ain't the kind
To sit around idle and complain
We're tough as nails, mean as hell
Without an ounce of quit in our veins
But the harder we work, the more they take
'Til all the good is gone, for goodness sake

Neither the left or the right
Are gonna fight
For folks stuck in between
The way things really are
The American dream

These lamentations
Are gonna be the death of me
These lamentations
Are gettin' too damn hard to sing

These lamentations
Are gonna be the death of me
These lamentations
Are gettin' too damn hard to sing
 
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Me and mine have worked this land As long as my grandfather can remember Plowin' soil, diggin' holes Haulin' coal, to strippin' down the timber Then they showed

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Biography

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American Aquarium began releasing albums in 2006, drawing influence from bands like Whiskeytown and the Drive-By Truckers in the process. Formed in Raleigh, North Carolina – the unofficial headquarters of alt-country – the band focused on the songwriting of B.J. Barham, who fleshed out his lineup with pianist Zack Brown, bassist Bill Corbin, guitarist Ryan Johnson, drummer Kevin McClain, and pedal steel player Whit Wright. Despite an active touring schedule, the group also visited the recording studio regularly, and released a pair of independent albums before partnering with Last Chance Records for 2009’s Dances for the Lonely. Fellow North Carolinian (and former dB’s frontman) Chris Stamey produced the record, which also featured guest vocals from Whiskeytown alumna Caitlin Cary .

Arriving a year later, their fourth record, Small Town Hymns, further established their penchant for gritty, Springsteen -ian anthems. 2012 proved to be a banner year for American Aquarium with the release of both their first concert album Live in Raleigh and their fifth (and most critically acclaimed) studio album, the Jason Isbell -produced Burn.Flicker.Die. Originally intended to be the group’s swan song, the album instead ushered in a very successful period. Reinvigorated, they collaborated with producer Brad Cook (Megafaun ) on their more alt-rock-inspired 2015 follow-up Wolves. A concert album, Live at Terminal West, appeared at the end of the year, documenting a show in Atlanta. About a year later, Barham released a stark, reflective solo album titled Rockingham, earning positive reviews for it. The band continued to play out, and told fans they’d be recording during 2017, but early in the year, Barham announced that the lineup had dissolved, and that after a solo tour, he would begin recording sessions with a different lineup of American Aquarium.