American Aquarium - Before the Dogwood Blooms

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Kiss me quick honey, can't stay long
By this time tomorrow, I'll be good as gone
You know I'd stay longer, baby if I could
But I got to get to getting while the getting's good

Chorus
So I'll see you around this town in a week or two
Running low on money, honey and the bill's are coming due
Just need a couple days until I find a way like I always do
But this I swear I'll be back here
Before the dogwood blooms

See I'm a long haul daddy gotta rig for hire
I get that diesel singing like a gospel choir
Yeah I get it there safe boy I get it there fast
Cash up-front no questions asked

I gotta buddy's gotta friend said he needs some help
And we both know the rent don't pay itself
Deep down I know that I'm above this
Old enough to know better, too young to quit

Chorus

Hook
Twenty-eight miles from the state line
Blue lights coming in hot behind
They got me once, babe and I ain't going back
So when that siren sounds
Throw that Hamon down
And watch it all fade to black

Kiss me quick honey, can't stay long
By this time tomorrow, I'll be good as gone
 
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Biography

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American Aquarium began releasing albums in 2006, drawing influence from bands like Whiskeytown and the Drive-By Truckers in the process. Formed in Raleigh, North Carolina – the unofficial headquarters of alt-country – the band focused on the songwriting of B.J. Barham, who fleshed out his lineup with pianist Zack Brown, bassist Bill Corbin, guitarist Ryan Johnson, drummer Kevin McClain, and pedal steel player Whit Wright. Despite an active touring schedule, the group also visited the recording studio regularly, and released a pair of independent albums before partnering with Last Chance Records for 2009’s Dances for the Lonely. Fellow North Carolinian (and former dB’s frontman) Chris Stamey produced the record, which also featured guest vocals from Whiskeytown alumna Caitlin Cary .

Arriving a year later, their fourth record, Small Town Hymns, further established their penchant for gritty, Springsteen -ian anthems. 2012 proved to be a banner year for American Aquarium with the release of both their first concert album Live in Raleigh and their fifth (and most critically acclaimed) studio album, the Jason Isbell -produced Burn.Flicker.Die. Originally intended to be the group’s swan song, the album instead ushered in a very successful period. Reinvigorated, they collaborated with producer Brad Cook (Megafaun ) on their more alt-rock-inspired 2015 follow-up Wolves. A concert album, Live at Terminal West, appeared at the end of the year, documenting a show in Atlanta. About a year later, Barham released a stark, reflective solo album titled Rockingham, earning positive reviews for it. The band continued to play out, and told fans they’d be recording during 2017, but early in the year, Barham announced that the lineup had dissolved, and that after a solo tour, he would begin recording sessions with a different lineup of American Aquarium.