The Chronicles of Manimal and Samara - Mata Hari
So you said to do it for feelings
Feelings for you
So I decided to put it to the test
In the way i know best
It was catharsis
A spectacle
A supernova
Paint drops like teardrops
Falling rain on a November’s day
My heart cries out
My soul implodes
A violent meeting of sea and stars on stretched linen
I have made a mess
But oh what a glorious mess
Mata Hari
Pagi Bintang
With you I burn so bright
Incandescent light
You and me
We will become
The brightest stars in the sky
Mata Hari
Hati Saya
Deep and precious are the experiencеs we share
The mundanе, the sublime
All of time, intertwined
You bring out the best in me
And the rest of me
You have the best of me
Take the rest of me
Take the rest of me
Take the rest of me
Take the rest of me
The best of me
Mata Hari
Pagi Bintang
With you I burn so bright
Incandescent light
You and me
We will become
The brightest stars in the sky
Mata Hari
Hati Saya
With you I burn so bright
Ablaze like stellar light
You and me together we are
The brightest stars in the sky
The brightest stars in the sky
For all of time, intertwined
All the time
Together, entwined
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The Chronicles of Manimal and Samara
Biography
Drawing inspiration from many sources stemming from Devin Townsend and Tool through to Kraftwerk and Russian Circles, as well as absorbing the poetry of Virginia Woolf and Jim Morrison, TCOMAS admirably strive to fill a gap in music by bringing literature and history together into an arena where rock and metal meets electronica.
Their musical and lyrical themes are very much rooted in the duo’s interests in classical literature and theatre, as well as in the fields of philosophy, history, and psychology. Their musical innovations are a result of a collaborative process beginning with the composition and arrangement of the music, which Samara then casts into verbal form. By setting a poetic/narrative text within the musical composition in lyric mode which is spoken, recited and narrated instead of sung, this inter-artistic mode of transfer goes beyond placing brief interludes of spoken word over an instrumental composition.