LL Cool J - Eat 'Em Up L Chill

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intro
L, rip it up
("bring on the mo's and hoes")
("bring on the mo's and hoes")

chorus
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)

verse 1
Bring on the mo's and hoes
Don't snooze or doze
'cause i'm rippin' up shows
Hold your nose, dead bodies are around
I leave scratch marks under the tears of a clown
I write rhymes that shine like lipstick
So much material, but not materialistic
Imperial styles i use
When the mic is lifted the crowd is amused
Come with it, if you feel you're full-fledged
Or yell "geronimo!" and jump off the edge
Your e-n-d is near when i appear
The stage is yours, but wait until the smoke clears
Rhyme sayer, and i'm here to lay a load
So watch a player when he's playin' in player mode
Uncle l's bad, and you're soon to say
'cause i rip the mic until the tune decay

chorus
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)

verse 2
Mc's are dumb, i catch 'em in a dragnet
You're not complete, i'm battlin' a fragment
So creative and witty and outstandin'
And i be demandin' that you're abandoned
In the desert or a wild west town
While i'm at your crib on a cherry-go-round
Where will she stop? no one knows
Like i said before, bring on the mo's and hoes
I know my abc's and my p's and q's
Just chill and listen to the rhyme cruise
All aboard, the cord is a reward
Some were ignored when they toured 'fore they board
The crowd was aloud, lyrics weren't endowed
Took a crack of the 40 and went to show 'em how
You like me now, but you didn't before
'cause you forgot i was raw

chorus
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)

bridge
Jump up, jump up, everybody jump up
Jump up on your feet, ll rip it
Jump up, jump up, everybody jump up
Jump up on your feet
Future of the funk, ah
Jump up, jump up, everybody jump up
Jump up on your feet
Go 'head, baby
Jump up, jump up, everybody jump up
Jump up on your feet, ll rip it

chorus
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(yo, eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)

verse 3
It's so visual the way i'm throwin' down
Visualize mc's goin' down
In a barrage of bullets combinated with rhymes
The moral of the story is: i'ma get mines
I saw the cordless, boy, i'm gonna house that
Your rhymes are cheesy, you found 'em in a mouse trap
Don't try to front while the freestyle's droppin'
He wants to battle, he must be needle-poppin'
You better notify your next of kin
'cause when i begin it's like a needle to the skin
If you wasn't prepared then you ought to be scared
But even if you was you're aware what the rhyme does
I remember when you was an amateur
Writin' your rhymes, starin' at my signature
Bought the album, analyzed the style
Tsk-tsk (ha-choo) god bless you, child
I'm unique when i speak to a beat
Another rapper'll fall when the mission's complete
I daze and amaze, my display's a faze
Every phrase is a maze as uncle l slays
The competition that's lost in a freestyle
'cause on the mic i'm the golden child
With the magical wand that they're callin' a mic
And when mc's approach it turns into a spike

chorus
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Chill
(eat 'em up, l)
Why don't you just chill?
(eat 'em up, l)

interlude
Jump up, jump up, everybody jump up
Jump up on your feet while ll rip it up
Jump up, jump up, everybody jump up
Jump up on your feet while ll rip it up

outro
Yeah
Yeah, i wanna say what's up to my man kool herc
And my man afrika bambaataa and the zulu nation
Know what what i'm sayin'
My man marley marl
My man b-blast
Rush town
Def jam
We in the house
("bring on the mo's and hoes")
Of course i gotta say what's up to my homeboys epmd
("bring on the mo's and hoes")
Yeah
("bring on the mo's and hoes")
I get busy
("bring on the mo's and hoes")
Peace

Ah, ha ha ha ha, ah yeah
Eat 'em up, l
Eat 'em up, yo
I eat 'em up, yo
I eat 'em up, yo
I eat 'em up, yo
I eat 'em up, yo
I eat 'em up, yo
I eat 'em up, yo
I eat 'em up, yo
I eat 'em up, yo
I eat 'em up, yo
Chill, man
I eat 'em up, yo
Yo, chill with that, yo
I eat 'em up, yo
Yo, chill; chill, yo
Ah yeah, i'ma babysit this
 
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LL Cool J

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Biography

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Deriving his name from the statement “Ladies Love Cool James,” LL Cool J became a superstar rapper after his Def Jam debut in 1984. He mixed a hardcore hip-hop style from songs like “I’m Bad” with R&B style on songs like “I Need Love,” which led him to multi-platinum success and several awards. He would later venture into movies and television, write several books, and start different business ventures.

Born January 14, 1968, Queens, New York native James Todd Smith began rapping at the age of nine and started to seriously pursue rapping when he was 16 years old after his grandfather bought him music equipment, which he used to create a demo tape that was sent to numerous labels. He was signed by upstart independent label Def Jam, working with founders Russell Simmons and Rick Rubin to release his debut single “I Need a Beat” in 1984, which sold over 100,000 copies. This success helped Def Jam secure a distribution deal with Columbia Records.

LL released his debut album Radio in 1985, which achieved platinum status with help from the hit singles “I Can’t Live Without My Radio” and “Rock the Bells.” After working exclusively with Rick Rubin on his debut, LL worked with the West Coast production crew L.A. Posse on his second album Bigger and Deffer, released in 1987. The album featured two of LL’s signature songs: the hard-edged “I’m Bad” and the “rap ballad” “I Need Love,” which was a Top 20 pop hit, helping the album achieve double platinum status.

His third album, 1989’s Walking with a Panther, was another platinum hit, featuring the singles “Going Back to Cali,” “Big Ole Butt,” “I’m That Type of Guy,” and “Jingling Baby.” LL came right back a year later with the Marley Marl-produced Mama Said Knock You Out, a double platinum success featuring “The Boomin' System,” the Top 10 pop hit “Around the Way Girl,” and the explosive title track, which won LL a Grammy Award for Best Rap Solo Performance in 1991.

While his 1993 album 14 Shots to the Dome didn’t make much noise, his 1995 follow-up Mr. Smith brought LL back to double platinum success with the hits “Doin' It,” “Loungin' (Who Do Ya Luv Remix),” and the lead single “Hey Lover” with Boyz II Men, which won LL another Grammy Award for Best Rap Solo Performance in 1996. LL went on to release several albums, including his All World: Greatest Hits collection in 1996.

In 2000, LL titled his album G.O.A.T., proclaiming himself the Greatest Of All Time in the rap game. LL’s braggadocios bravado had him involved in several beefs throughout his career. His first major beef came against Kool Moe Dee, with Moe Dee’s main attack coming from “How Ya Like Me Now” in 1987 and LL responding with “Jack the Ripper.” LL then responded to jabs from Moe Dee, Ice-T and MC Hammer in 1990 on “To Da Break of Dawn.” In 1997, LL had a misunderstanding with Canibus over one of his lines on LL’s “4, 3, 2, 1,” causing Canibus to be removed from the song and LL changing his verse to subliminally diss Canibus. This led to Canibus dissing LL on “Second Round K.O.” and LL responding with “The Ripper Strikes Back.”

LL made his acting debut in the 1985 movie Krush Groove and would later star in several films such as Deep Blue Sea, In Too Deep, and Any Given Sunday among others. From 1995-99, LL starred in his own NBC sitcom, In the House, starred in the CBS drama NCIS: Los Angeles for ten seasons from 2009-19, and he is the host of the karaoke competition Lip Sync Battle. He released his autobiography I Make My Own Rules in 1998, he was honored with a star on the Hollywood Walk of Fame in 2016, and in 2017, he became the first rapper to be a recipient of the Kennedy Center Honors.